Heritage, History & Her

Stories Told in Stitches

Background

Stories Told in Stitches came from my internship at the Museum of Cornish Life as an Assistant Museum Curator funded by Cultivator and organised through the University of Plymouth. As I was investing so much of my time and energy into my work, it made sense for it to become my Dissertation Project. I’d produce an exhibition for the museum and my analysis of my own work and how it answered a research question would count towards my MA Heritage Theory & Practise.

The research and analysis looked into how Daybell et al.’s Gendering theory could be applied to a small regional museum. This approach involved looking deeply into each object’s life story and examining what stories were unearthed that are typically overlooked—such as those about gender. Inherently intersectional, this allowed a dress worn by a rich white woman to represent the stories of those who produced the raw materials, transported them, made it, and more. 

The exhibition itself explore the theme of gender – how it is a social construct and clothing can illustrate how much expectations have changed over time.

Exhibition Poster

Design & Interpretation

The main marketing of the exhibition focused around this image of the mourning dress featured in the exhibition – a still from a project the year before where certain items had been 3D scanned. This helped position the exhibition within the existing offer and programming of the museum. 

I also wrote and designed all the interpretation material for the exhibition. This was an amazing chance to put all my theoretical knowledge into practise and see what the advised word counts and guidance on getting progressively more detailed looked like in reality with complex topics.

Even though this work improved on my previous work, it’s really interesting to look back now and see what I could have improved!

Curating

The exhibition had three sections: Ideal Body Shape, Working Women, and Breaking Expectations. These sections allowed me to explain things through the public’s existing knowledge about gender and its history.

For each section, I chose specific items to explore the life stories of using the Gendering methodology. This was incredibly hard at times as little to no information was recorded with the item’s donations, which meant a lot of time spent researching and in the archives. All the information was then available for the museum to add to their CMS.

Ideal Body Type
Ideal Body Shape contrasted an S-bend corset with a 1920s flapper dress, explaining these two opposing ideals were just 20 years apart. This section also featured other items by tailor B. Thomas who made the mourning dress to add context to it's life story.
Working Women
Working Women looked at Balmaidens (Cornish women who broke up the coal on the mine's surface - a very physically demanding job), and the Women's Land Army. It explored how regardless of expectations, necessity always came first be that a war effort or a family's survival.
Breaking Expectations
Breaking Expectations looked at the association of embroidery with masculinity in the 1700s and how that opposes stereotypes today. It also explored Ethel Le Neve's disguise in male clothing when fleeing with Dr Crippen and the factors in that decision to present gender identity (not seen in photo)

Explore More of my work:

Skip to content